The year Twitter died
Design by Elana Schlenker, with illustrations by James Kerr, Erik Carter, Charles Desmarais, and Rui Pu
For The Verge’s end-of-year package about Twitter’s downfall, we turned to designer Elana Schlenker to create a world as deranged and unruly as the year was for the social platform, complete with a toggle button that lets readers select their quotient of chaos.
Goodnight phone
Comic by Gina Wynbrandt
Gina Wynbrandt’s interactive comic parodies the nauseatingly familiar experience of late-night scrolling, offering minigames and activities as readers move through the narrative. In eerie candy pastels, the comic confronts the addictive banality of online content: airplane Karens, the lives of former classmates, and a quest for sleep that involves more app upgrades than actual rest.
Working through it
Photos by Stella Kalinina
Before the Russian invasion, Ukraine was home to nearly 300,000 tech workers. Photographer Stella Kalinina shines a light on a few of these workers, including some images that had to be captured virtually over Zoom when an in-person photoshoot was impossible.
Taken for a ride
Art by Sean Dong
For this wild story about a self-made tech millionaire who got bamboozled by a Tinder date, we turned to Sean Dong to complement the can’t-believe-this-really-happened qualities of the narrative with a series of animations that place the entrepreneur’s experiences within spooky classic arcade games.
Extremely hardcore
Art by Jason Allen Lee
For this look inside the messy early days of Elon Musk’s Twitter takeover, Jason Allen Lee’s 3D renderings of the chaotic offices are as funny as they are quietly terrifying.
The lurker
Art by Cath Virginia
Senior designer Cath Virginia’s first feature design for The Verge was about expressing the quiet terror of online threats in as subtle a way as possible.
We only get one planet
Illustrations by Nico H. Brausch
For The Verge’s 2023 package on the topic of sustainability, senior designer Cath Virginia turned to illustrator Nico H. Brausch, who perfectly synthesized the retrofuturistic contrast of optimism and dystopia of the changing planet.
Elon Musk’s Twitter, one year later
Art by Cath Virginia
Twitter, one year after Musk: a condemned birdhouse, with no birds in sight. Senior designer Cath Virginia worked with deputy editor Jake Kastrenakes and news editor Jay Peters to cram as many gags into this one as possible.
You, me, and UI
Illustrations by Mengxin Li
For a special series exploring how small design decisions have an outsize impact on our lives, The Verge turned to illustrator Mengxin Li, whose bold shapework creates a cheeky entry point into the opaque world of UI / UX.
Apple Lisa: the ‘OK’ computer
Art by Kristen Radtke
We went full ’80s Trapper Keeper on this design for Adi Robertson’s story about the Apple Lisa, a 1980s computer known as a “glorious failure.”
That’s one pricey subscription
Illustration by Cath Virginia
Senior designer Cath Virginia visualized the painfully frequent price hikes of streaming services with a hilarious, schmaltzy golden remote. Creative director Kristen Radtke claims she would 100 percent buy this remote if it were real.
Building for tomorrow
Art by Sisi Kim
Sisi Kim’s 3D-modeled miniatures express a child-like optimism for the future in combination with the messy reality of the infrastructure.
What New York City looked like stifled in wildfire smoke
Photos by Amelia Holowaty Krales and Chris Welch
Verge reviewer and photographer Chris Welch captured the eerie scene of lower Manhattan’s skyline from across the East River in Brooklyn on a day in June when the wind carried smoke from the Canadian wildfires.
Node by node
Photos by Amelia Holowaty Krales
This Brooklyn neighborhood built a disaster-proof mesh Wi-Fi network. It was a crucial lifeline after Hurricane Sandy hit New York City in 2012. Senior photographer Amelia Holowaty Krales documents Red Hook Farms, a working farm that uses mesh Wi-Fi to monitor outdoor air quality and temperatures inside its greenhouses.
World wired: 50 years of ethernet
Illustrations by Hugo Herrera
Hugo Herrera’s charmingly cartoonish illustrations accompany this special issue from The Verge on the impact ethernet has had on our world over the past 50 years.